inPicture Ghazanchetsots in peril: Shushi’s ‘white bride’ revisited On May 8, 1992, the liberation of Shushi was celebrated with “Hayr mer” («Հայր մեր» | “The Lord’s Prayer”) at the church altar of Ghazanchetsots. Bombed during the 2020 Artsakh War, vandalized, and recently dismantled under the pretext of “renovation,” Ghazanchetsots has now become a bleeding wound too painful to look at. Check out the facts you might not know about the monument's glorious and tumultuous history below.
submission #ArtsakhPoemsOnHPem | 'The exiled crane' (Artsakh trilogy, #3) by Harasharzh Generations of Armenians have been haunted by the crane, one of the most potent and emotive symbols ingrained in the Armenian psyche. Ever since Komitas Vardapet addressed the bird in his soulful song of a wanderer, “Oh crane, don’t you have news from our homeland?” it has been associated with ill omen, leaving the question unanswered. In the final poem of the “Artsakh Trilogy” Harasharzh gives an ironic twist to the folk-based story of the past. Steeped in renaissance style and contemporary references, the poet’s words act like a mantra in these trying days.
multimediaGuide 'My Artsakh': How a group of Canadian-Armenian vocalists created an unforgettable mash-up Chances are you’ve all heard the songs—classics and more recent ballads (six in all) dedicated to Artsakh, its history, its natural beauty, its people, and its heroes... But you’ve probably never heard them as a part of a mash-up! Read all about “My Artsakh” in this h-pem exclusive!