Paintings | Impressions de Manu: A canvas of colors and emotions
July 22, 2019
Every year on Van Gogh’s birthday, Manu paints a “selfie” with the artist she affectionately calls her “husband.”
While most people spend a lifetime searching for their passion, painter Manu Harutyunian has always known hers. With several solo exhibitions, interview spotlights, and a swarming buzz on her budding craft, see why this young artist is one to watch.
|Artist's name||Manu Harutyunian|
|City/Country||Lives in Yerevan, Armenia|
|About the artist||
From fiery hair and perfect cat eyeliner to socks decorated with Mona Lisa’s face and Munch’s iconic ‘Scream’ on her shoes, Manu Harutyunian’s fashion sense is a painting itself—colorful, aesthetic, and boldly unique. At just 21 years old, she has already accomplished more than what many artists twice her age have—and she’s only getting started.
In between classes at Armenia’s foremost art academy, Manu frequently travels across Armenia, where she draws (literally and figuratively) inspiration from the fields of Stepanavan and the forests of Dilijan. Last summer, she spent a few weeks in Germany, leading workshops on painting for young(er) artists. This year, she is rounding out her semester with an Erasmus (study abroad) in Romania, the site of her fifth solo exhibition—and her second in less than six months. Read about Manu’s artistry here, before diving into her world of hues and happiness.
Lilly Torosyan: How did you discover your artistic talent?
Manu Harutyunian: Art has lived inside of me since I can remember. It is for this reason that I cannot say how or when I fell in love with painting. As a child, I had a specially cultivated technique for drawing rabbits, and wherever I would go, I would let her out—whether that was in the neighbor’s home, the yard, on the floor, the walls, or the stairs, I drew her everywhere, even on the most important documents and inside the most expensive books. From that moment on, everything was predestined.
L.T.: From where do you draw inspiration?
M.H.: My sources of inspiration are many: from nature and melody to interesting personalities and geniuses, those who gave birth to new styles, Fauvism, Impressionism, and, of course, my husband, Vincent Van Gogh—yes, him.
L.T.: You are so young but already have three exhibitions under your belt with a fourth coming up later this month. Why do you think your work resonates with audiences?
M.H.: For an artist, I believe there are two qualities that lead to success: persistence and constant activity. After many years of participating in exhibitions and contests, at 18 years old, I held my debut individual exhibit, “Fatum” (meaning “fate” in Latin). I was very touched by all of those who came to stand by me and see my art—regardless of their circumstances. The taste of Fatum was still in my mouth when, a few months later, I headlined my next exhibit, titled, “A Piece of Sun.” This show had a charitable component to it: 50% of the sales proceeds went to treat children with cancer. I was so happy that I could help in a small way, through my work.
After this, I organized an exhibit with 10 of my friends, fellow painters, titled, “Mess.” We created a real artistic ‘mess’ by hanging the canvases in a convoluted way, without listing which piece belonged to whom. The intention was to create an interactive guessing game, where art lovers tried to understand and distinguish our individual signatures. I am not sure what draws people to my shows, but I know that art is inside of me, and for this reason, it will never give me rest—I have to always draw and paint.
Are you an aspiring writer, poet, or artist? Show the world what you've got!
- The artist and her canvas
- The town shivers (2013) “We shivered from the voices and brought the evening” Oil, 24.5 × 24.5 cm
- The sea (2016) “The sea with her stout hips fell silent, She slept serenely, We dominated it and were indulged by its silence…” Oil, 37 × 22.5 cm
- Morning (2016) “While we kissed the sky and ridiculed our existence, we became satiated from perfection… We lived foolishly in the sky and licked the morning.” Oil 31 × 22 cm
- Self portrait at 14
- Starry Nights “From the night’s craziness, the sunrise dulled, And the past ate the phenomenon, I now look at their smoke and I come apart.”
- The countryside
- Wild quince (2016) "I've lost red."
- Sunset (2013) “I awoke from the sun’s kiss, She promised she’d keep silent when I go silent and love, when I am another’s. She winked, longing, and with her nose, breathed light unto me, Suddenly, I was so captivating…”
- First Meeting (2015) “We were meeting for the first time, Kond and I” (Kond is a dizzyingly beautiful old quarter of Yerevan.) Oil, 29 × 21 cm
- Enjoy (2016) “I was in the air—maybe I was the air, because I always existed…” Oil, 28 × 22.5 cm
Join our community and receive regular updates!Join now!
Arshile Gorky’s pioneering art has made him the subject of several books, documentaries, and even a nonprofit foundation dedicated to understanding his work. Yet, his revolutionary legacy also lives on outside of the art world—in one of the most unexpected of places—his home. We ventured to find this artistic oasis and, in doing so, learned more about the man behind the painting. This year marks the 70th anniversary of Gorky’s passing and the unassuming farmhouse that once inspired one of the 20th century’s best painters continues to inspire new generations.
He is a seasoned stand-up comedian who makes awkward confessions and tells hilarious real-life anecdotes in a daring effort to break taboos. He is best known for his use of local words and flavors of the Armenian language to help us laugh at ourselves, yet he's a versatile artist who paints and writes with equal passion. Even at his most serious moment, when reflecting on everything from the creative process to why it matters to be Armenian, Vahé Berberian never fails to strike an ironic chord. We meet him twice in his birthplace Beirut, between his shows and lectures, in an attempt to connect with the wizard of art and humor behind the celebrity.
Since the days of Mesrop Mashtots (the fifth century inventor of the Armenian alphabet*), the Armenian script has played a vital role in the cultural and artistic legacy of her people. Like ancient relics in a museum, each decorative stroke illustrates a story that is steeped in thousands of years of history, literature, art, and religion. Fast forward 1,600 years and this ancient tradition is at a crossroads for survival, with knowledge and usage almost all but forgotten. Yet, once again, one man is at the helm of a movement—a new zartonk (“renaissance”) in Armenian calligraphy. Using a wide range of multimedia, artist Ruben Malayan is ushering in a new era for this unique, yet overlooked art form