multimediaGuide ‘Zatik, Zatik’: Celebrating Easter with good tidings When Maestro Krikor Alozian restarted rehearsals after a long gap amidst pandemic, little did he know that a simple video recording of a well-toiled and tinkered little song would go a long way towards reviving ancient Armenian rituals. How did he do this? We had a brief phone conversation with the conductor to find out how he came up with an impressive little gem.
interview Resurrecting the exiled: A conversation with John Hodian of the Naghash Ensemble When Armenian-American composer John Hodian first heard Hasmik Baghdasaryan’s striking timbre, ringing across the sacred columns of Armenia’s Garni Temple, he was transfixed—he knew he had to work with her, but had no idea how. It took several years of ruminating and rummaging through some dusty manuscripts before he came across a fragment of a poem by Mkrtich Naghash, a long-forgotten 15th-century Armenian priest and poet from Dikranagerd (modern-day Diyarbakir). Hodian—at that point, a listless NYC composer who had just moved to Armenia—had finally found his inspiration: or in show tune-speak, the Hammerstein to his Rodgers.