Showcasing your talent to the worldPhoto credit: Talar Alyemezian, "Street lamps at Raouché" (h-pem Submission)
#ArtsakhPoemsOnHPem | 'The exiled crane' (Artsakh trilogy, #3) by Harasharzh Generations of Armenians have been haunted by the crane, one of the most potent and emotive symbols ingrained in the Armenian psyche. Ever since Komitas Vardapet addressed the bird in his soulful song of a wanderer, “Oh crane, don’t you have news from our homeland?” it has been associated with ill omen, leaving the question unanswered. In the final poem of the “Artsakh Trilogy” Harasharzh gives an ironic twist to the folk-based story of the past. Steeped in renaissance style and contemporary references, the poet’s words act like a mantra in these trying days.
#ArtsakhPoemsOnHPem | 'New Navasardian, a sullen ode' (Artsakh trilogy, #2) by Harasharzh "New Navasardian, a Sullen Ode" is Harasharzh's second poem published by h-pem. The poet addresses Daniel Varoujan, a martyr of the Armenian Genocide, looking for wisdom in his eponymous pagan song, while the Artskah war is entering its most virulent phase. Resilience in dealing with loss remains an amorphous mix of grim sacrifice and hope, as the poet evokes the ancient gods of Armenian mythology, and challenges Varoujan in his optimism about the nation's future.
#ArtsakhPoemsOnHPem | 'Vaspurakan’s echo' (Artsakh trilogy, #1) by Harasharzh Can we expect war to give rise to creative beauty? What is the role of poets in contemporary warfare where sensational media leaves little to the imagination? Do poets still have to bear testimony to war? Stir feelings? Raise arguments? Can war poetry become a path to redefine identity? In "Vaspurakan's Echo," the first poem of the "Artsakh Trilogy," Harasharzh, a young American-Armenian poet, draws answers from history, literature, and the spaces between.